1. "Barb, honey… we’re dead. I don’t think we have very much to worry about anymore."

    Beetlejuice (1988) (X)

    (via filmsaremything)

     

  2. Steven Soderbergh ‪winning the Oscar® for Directing ~ This dude is friggin AWEsome.

    (Source: youtube.com)

     
     

  3. "I don’t give Hollywood the power to limit me. Only God can limit me."


    There aren’t enough posts on tumblr about this fine actor. The underrated, under appreciated native New Yorker, Mr. Ving Rhames. Truly one of a kind.

     

  4. "Some of the most intense affairs are between actors and characters. There’s a fire in the human heart and we jump into it with the same obsession as we have with our lovers."

    A happy belated Birthday to 1 of my favorite actresses AND native New Yorker, the lovely Sigourney Weaver. 

     

  5. Gone Girl FTW.

    (Source: 1worldblog, via filmforlife)

     

  6. Jessica, you got it. 

    (Source: c-h-a-s-t-a-i-n, via kubricksodyssey)

     


  7. Too good to be true. Fuck!

     

  8. filmrevues:

    Top 50 Female Characters

    #40. Simin
    A Separation (2011), Leila Hatami

    "I have the right as a mother."

     

  9. Don’t know if it gets any better than this!

    mymodernmet:

    Illustrator and caricature artist Rodney Pike shows off his superb photo manipulation skills with these hilarious insertions of the beloved character Mr. Bean into historical portraits.

     

  10. mymodernmet:

    When photographer Sandro Miller decided to do a project to honor the photographers who had inspired him and shaped his career, he called on his longtime friend and frequent collaborator John Malkovich to help him. The result is Malkovich, Malkovich, Malkovich: Homage to Photographic Masters, a brilliant series of 35 recreations of iconic portraits, all starring the actor as the subject.

    Off the hook! lmfaoooo…

    (via kpiarz)

     


  11. a-bittersweet-life:

    image

    A heavyweight of the American independent film scene, Jim Jarmusch offers five invaluable rules to filmmaking that will inspire and fuel filmmakers of all experience levels. At the heart of these rules is a caring touch for the personal, and though they shed light on great insights in filmmaking, it is important to note the director’s very first words: There are no rules. This key declaration expresses the simple truth that each filmmaker has his or her own personal journey to take through the world of cinema. Get inspired by Jim Jarmusch and his golden rules to filmmaking!

    Rule #1

    There are no rules. There are as many ways to make a film as there are potential filmmakers. It’s an open form. Anyway, I would personally never presume to tell anyone else what to do or how to do anything. To me that’s like telling someone else what their religious beliefs should be. Fuck that. That’s against my personal philosophy—more of a code than a set of “rules.” Therefore, disregard the “rules” you are presently reading, and instead consider them to be merely notes to myself. One should make one’s own “notes” because there is no one way to do anything. If anyone tells you there is only one way, their way, get as far away from them as possible, both physically and philosophically.

    Rule #2

    Don’t let the fuckers get ya. They can either help you, or not help you, but they can’t stop you. People who finance films, distribute films, promote films and exhibit films are not filmmakers. They are not interested in letting filmmakers define and dictate the way they do their business, so filmmakers should have no interest in allowing them to dictate the way a film is made. Carry a gun if necessary.

    Also, avoid sycophants at all costs. There are always people around who only want to be involved in filmmaking to get rich, get famous, or get laid. Generally, they know as much about filmmaking as George W. Bush knows about hand-to-hand combat.

    Rule #3

    The production is there to serve the film. The film is not there to serve the production. Unfortunately, in the world of filmmaking this is almost universally backwards. The film is not being made to serve the budget, the schedule, or the resumes of those involved. Filmmakers who don’t understand this should be hung from their ankles and asked why the sky appears to be upside down.

    Rule #4

    Filmmaking is a collaborative process. You get the chance to work with others whose minds and ideas may be stronger than your own. Make sure they remain focused on their own function and not someone else’s job, or you’ll have a big mess. But treat all collaborators as equals and with respect. A production assistant who is holding back traffic so the crew can get a shot is no less important than the actors in the scene, the director of photography, the production designer or the director. Hierarchy is for those whose egos are inflated or out of control, or for people in the military. Those with whom you choose to collaborate, if you make good choices, can elevate the quality and content of your film to a much higher plane than any one mind could imagine on its own. If you don’t want to work with other people, go paint a painting or write a book. (And if you want to be a fucking dictator, I guess these days you just have to go into politics…).

    Rule #5

    Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

     

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  14. Nietzsche says there’s two kinds of people in the world: people who are destined for greatness like Walt Disney… and Hitler. Then there’s the rest of us, he called us “the bungled and the botched.” 

    Sometimes a film comes along that really leaves it’s imprint on you… For me The Fisher King was such a film. Although it’s from 1991, the story is still VERY relevant and really timeless. 

     

  15. Beauty is how you feel inside, and it reflects in your eyes. It is not something physical.

    HAPPY BIRTHDAY SOPHIA LOREN! 
    | September 20, 1934

    (Source: missavagardner, via filmsaremything)